Summer of Love

The Summer of venerate The 1960s was a tenner of policy-making and kindly upheaval. The counterculture, which was what the decade was called, became let down with all the restrictions and conventions of the straight society. The Summer of write out did not occur until 1967, that the decade was inspired by the Bohemian spirit which was already invest in the 1950s know as the Beat generation. The counterculture gained satisfying knead in liberal cities such as Berkley and San Francisco. In 1967, Scott Mc sightzie released his poesy San Francisco and with this song came rumors of a huge love-in in the summer.This is what fueled the Summer of be intimate. Leaders of the counterculture in the Haight-Ashbury district were anxious to start planning an event that would fit in with the Summer of Love hype. Their hope was that practice of medicineians and other artists would safe naturally function over to the Haight-Ashbury. The Summer of Love would not have been the same witho ut the routine of lysergic acid diethylamide and marijuana, free love, and the all famous brandish and roll music. Drugs seemed to be the way of life for the hipsters they were using all kinds of drugs d aneout the decade precisely the devil drugs that were most associated with the Summer of Love were LSD and ganja.To the flower childs they utilise the term lowlife instead of drugs beca riding habit dope was good scarcely drugs included both good and liberal substances. Miller verbalise, Substances that were perceived as expanding consciousness were good things which made the user dumb were bad (Miller 2). roughly other drug that was use in the Summer of Love was marijuana. It was not as huge as LSD, still it was still used throughout the decade. Marijuana was start introduced in America during the Jazz Age and became one of the exchange fixtures of the 1960s counterculture.Baugess wrote, It was intrinsic to the jazz music prognosis m each musicians used mariju ana for its perceived ability to boost creativity and as a way to find relief from racial oppression (Baugess 400). It grew usual among the blacks and was used to basically boost your creativity. It afterwards became actually prevalent to the beatniks, in which they would later change the center of the drug, a way to deepen intellectual rationality and used to rebel against the society. The hippies would use it for the pleasurable side effects, but in addition to heal the physical structure and soul. Smoking marijuana was an act of revolt against puritanical Americans.It was known to expand the mind, just like LSD did. not unless did hippies use the drug, but it was likewise consumed by the political radicals and Vietnam soldiers. Marijuana was grown in plenty in Vietnam and supplied soldiers with a circumstances of relief from the experience of state of war. Marijuana left(a) a huge extend to on the counterculture it had a connection to music, musicians like Bob Dylan , Bob Marley, and others would draw up songs that reflected the centrality of it. The main drug that would be known throughout the Summer of Love and most recognizable to the decade would be LSD.This would later be known on the street as acid which was a hallucinogenic drug able to induce altered mental states in its users. LSD was induced in a Swiss pharmaceutical laboratory in the 1930s and ascertained in 1938 by Swiss chemist, Albert Hoffman. In the decades before, it was used as a treatment drug and alcohol addiction. Miller wrote, Also in the stale War struggles with the Soviet Union (the Central Intelligence Agency monitored previous(predicate) LSD research closely, seeing the chemical as a electromotive force tool for espionage or perhaps for disabling a large opponent population) (Miller 4).On April 19, 1943, Albert Hoffman synthesized another batch of LSD-25 and created a version that would be able to thaw in water and had pleasant hallucinations. Later, he had perfe ct recall of the hallucinations grammatical construction that his mind was conscious throughout the experiment. It was created for three main purposes it was fun, basal, and good for the body and soul. Miller verbalize, The belief of the hippie was If it feelings good, then do it so broad as it doesnt hurt anyone else (Miller 5).Not only was it fun but it also led to the hippies arguing, that it was time for a social revolution, which made it revolutionary because not only did they argue but it would also affect the big society. The hippies had to learn to tolerate their deviant behaviors. As a westerly Coast hip author concluded in 1969, The government is remedy in its stand on drugs. They are a definite curse to societyDrugsmust be ruthlessly suppressed lest the race feel too good (Miller 5). With all this being said LSD was also a tool that was good for the body and soul which would provide better and insight.In 1960, Timothy Leary, a Harvard psychology professor, trie d LSD and currently would conk out so enthused by its potential that he lost his job. Timothy Leary set forth his first trip as the most shattering experience of my life, for it flipped my consciousness into a dance of energy, where nothing existed except the whirring vibrations and each illusory form was simply a different frequency (Anderson 259). By 1966, he became a huge star who would advise young adults to take LSD to expand their minds.They accepted his advice and the hippies clung into Learys phrase, turn on, tune in, and slack out. The phrase is broken down into three simple segments Turn on meant to go within yourself. Tune in meant to interact accordingly with the populace around you. Drop out meant self-determination and a discovery of ones abnormality. sight Kesey studied at the University of Oregon and then would enroll into a ammonia alum creative writing program at Stanford University in 1959, which would spark his pursuance in the San Francisco countercultu re.As Ken Kesey would work night shifts at the hospital he had access to the drugs and would perform controlled experiments on himself. LSD was only available through pharmaceutical company, Sandoz in New York. Sinclair wrote, Using his homemade laboratory in Berkley a student named Augustus Owsley Stanley III manufactured what he claimed to be comme il faut LSD for a million and half doses (Sinclair 200). They became widely known and soon fell to Leary. Owsley would soon get down the Pranksters chemist, supplying the active ingredient fro Keseys organized events called acid tests.These acid tests soon became advertised events in reality halls. In January 1966, two thousand people attended one at San Franciscos Fillmore Auditorium and the Warlocks (now the Grateful Dead), provided the music and Kesey wired the aim with speakers, cameras, and TV screens for them to replay. Leary would become one of the most famous counter pagan figures in this era along with Ken Kesey. LSD was a h uge part of the spiritual and music scene of the Summer of Love.There was one church which was Tim Learys League for Spiritual find he wanted to keep his trust pure and aloof from social structures. He described it as evading the law, Were not a religion in the sense of the Methodist Church seeking adherents. Were a religion in the basic primeval sense of a folk music living together and centered around shared spiritual goals (Miller 8). many an(prenominal) believed that it spoke of as a ordinance, as Miller stated, A sacrament is a covenant between man and God and also any ritual that corporately grows out of that covenant to express it more fully.It can be bread and wine, peyote or mushrooms, cup of tea, LSD, the tobacco used in the sacred pipe whatever is put into the body to connect the human race outside with the world within (Miller 11). This was common a sentiment. Not only was LSD for individual experiences but it was also for religious communities. For example, Willia m C. Shepherd notice LSD as being a sense of social belongingness (Miller 13). Which it provided a new basis for separate intimacy, and financial aided maintain and further the intimacy. most believed there were bad effects of LSD on the people. The bad effects that LSD had on Summer of Love is that people would drink without knowing knowledge of the chemical, but Kesey said he never dosed anyone without their notice. Another was it was used as a means of social control. The ones that loved dope loved its mental staff of life and the few that did not were not influential at all. Sex was used for the physical pleasure saying free people should be able to express their sexuality as they please. As stated by Miller, Sex was fun. Sex was healthy.And this hip approach to sex helped pep up attitudes and practices in the nation as a whole (Miller 25). There were some who saw liberated sexuality as having a larger implication meaning as sacramental sex. Some felt that sex was trump w ithin a context of love and concern for the partner. So for a new sexual ethic, some poised absolute freedom meaning that sex out of love could be better then day-to-day sex. Dope and sex went hand in hand because as stated before dope was good because it enhanced your sexual experience. Dope would help people expand their sexual horizons.As Miller stated, Timothy Leary summed up the dope/sex connection the key energy in our revolution is eroticThe sexual revolution is not just part of the atmosphere of freedom that is generating with the kidsand central issue of the psychedelic experienced is erotic exhilaration (Miller 37). end-to-end the 1960s, music served as an integral part of the counterculture movement. It was seen to embrace an alternative life style from previous generations and also to protest against war and oppression. Hippies would organize out-of-door music festivals across America.The music was based around the reminders of the 60s and the outrage toward the Vi etnam War. Some of this popular music represented a direct protest of the war and also reflect the desire for peace and love. Rock and roll was just as important as dope and sex were. Rock music was what the hippies lived and breathed and was the most important musical form. Even though it was based around oscillate, Miller stated, Folk music was the music of the cultural rebellion until around 1966, when the Beatles began to take on mythic significance as interpreters of the culture, new specifically hip rock bands (Miller 42).Some of the earliest acid rock bands are the Grateful Dead, the Jimi Hendrix Experience, country Joe and the slant, macroscopical Brother, and Janis Joplin. There were many festivals that took shoes in the 1960s like Woodstock which was in 1969, but it was not as organized and peaceful as the Monterey vote down feast. The Monterey get Festival was one of the biggest events of its time and it helped launch the careers of several major rock artists, in cluding Janis Joplin, Country Joe and the Fish, genus Otis Redding, and others.Sinclair said, Monterey has come to be viewed by many as the seminal rock festival of the early hippie era (Sinclair 210). It was a festival that took place over a three-day period that started on June 16 through June 18, 1967, in Monterey, California, at the Monterey Fairgrounds. There were more than 30 acts lined up, 90,000 attendees, and perfect weather. They had a projection room, shops and booths, and Owsley supplied a new batch of LSD which was called Monterey Purple. The organizers wanted to create an atmosphere that produced the peace and love ideas that was popular in the music and to be taken seriously.This was the first major festival of the rock era, and it went down in history as the most peaceful and well-organized event of its time. It was also significant in that it offered a number of acts that would soon become famous in America. For three days they all lived together and out of all this they did not have any major problems that came up the Monterey bulge Festival was the high-pitched point of the 1967 Summer of Love. Baugess stated, Filmmaker D. A. Pennebaker recorded the event and produced a very popular documentary that brought the music and personalities of the festival into theaters across America (Bauges 439).There were a lot of the acts who refused to get filmed but Janis Joplins manager talked her and her group into being filmed and soon a star would be born. champion in particular was Janis Joplin. Janis Joplin was the most important female singer of the counterculture. Whether she meant to or not her rebellious example expanded artistic and professional possibilities for women. Baugess wrote, The hippie scene of 1967 provided the perfect context for Joplins rebelliousness, talent, and unique charisma to flourish, and Big Brother became one of the favorite Haight-Ashbury bands (Baugess 328).Their appearance at the Monterey Pop Festival opened doors for them, but especially for Joplin, she became the star, to where she was signed by Columbia Records as a result of her appearance at the festival making it her first major performance. Her emergence as a famous symbol of the youthfulness culture put pressure on her band so she left Big Brother and went on to pursue her own music. She goes down in history as a huge iconic figure of rock music, along with Jim Morrison of The Doors and others.Another huge singer of the counterculture and a big part of the Monterey Pop Festival was Joseph McDonald soon to be known as Country Joe and the Fish. He was born on New Years Day in 1942 and was named after the Soviet dictator, Joseph Stalin. He would spend most of his time acting music in different bands. Baugess wrote, His songwriting became the center of a group that manifested, variously, as a songwriters workshop, a magazine, a protest group, a jug band, and finally a rock band called Country Joe and the Fish (Baugess 411).At first the ba nd only consisted of McDonald and the guitarist, Barry Melton, which was the Fish, and then they would add other musicians if needed. The makeup of the band was because of Joes enterprising spirit and his spirit of protest. Their first record, I Feel Like Im Fixin to Die Rag, was a satirical song about the Vietnam War which Joe self-produced and would go down in history as one of the most recognizable songs of the antiwar movement. His music was captured by the college campuses and 1965 they performed at the Berkley campus.Later in 1966, they acquired a manager, Ed Denson, and from that point they focused on becoming a folk-rock band. Their manager, Denson, created the bands name which was referred to communist politics. For example, Country Joe was the popular word at the time of World War II for Joseph Stalin and the Fish refers to Mao Zedongs saying that likens communist revolutionaries to fish who swim in a sea of peasants (Baugess 411). The band changed over the days but McD onald stayed lead vocals and Melton stayed as lead guitar.They grew popular among Berkley and San Francisco and also still remained regulars on college campuses. In December 1966, they signed a recording contract with head Records and their first two records were on Billboards album charts for two years. When they performed on stage, their performance included a light show that was on a screen so they could create a psychedelic experience. In the summer of 1967, they toured the East Coast and in 1968, toured Europe and also released a third album. Their fourth album was released a year later, 1969.The song Fixin-to-Die-Rag very became popular after they starred in two musical events, Monterey Pop Festival in 1967 and Woodstock in 1969. Soon after the song became the anthem of the anti-Vietnam War movement. Fixin-to-Die-Rag had black humor and sarcasm and the chorus mocked the wars justification and voiced coldness about it. So, before they played their stylemark song, they would spell out an F-I-S-H gibe, but instead in summer of 1968, their cheer had U-C-K because they were provoking the antiwar movements rebelliousness of convention.Their edgy style rebellious the mainstream. By 1970, Joe and Barry took on solo careers. Joe kept on playing at large antiwar presentations. Country Joe mixed together satire, irreverence, and political commitment. Another popular musician of the counterculture was the Jimi Hendrix Experience. He joined the Army at 17 and after being discharged in the early 1960s he joined the Isly Brothers and Little Richard and performed on chitin circuit. He left them in 1966 for the emergent countercultural rock and roll of the East Village.Here he performed as Jimmy James and the voluptuous Flames he then agreed to go to England where the Jimi Hendrix Experience was formed. On inscrutable was Noel Redding, drums was played by Mitch Mitchell and Hendrix mashed together some influences from the blues like B. B. fag and others. Curt is Mayfield was the guitarist and Hendrix incorporated the style of English guitar emanating from the likes of Cream, the Who, and Jeff Beck (Baugess 292). His group became hugely popular and was recommended by Paul McCartney of the Beatles, helped the Jimi Hendrix Experience a spot in the Monterey Pop Festival in June 1967.From the exposure of the festival it gave the band four years of stardom and they released three records Are You experienced? (1967), Axis Bold as Love (1967), and the double LP Electric Ladyland (1968) ( Baugess 292). Hendrix was set aside from the other rock groups because of the use of transcended race the white world of rock and black world of blues and rhythm. Baugess stated, While Hendrixs management coded the combination of African American musical traditions and psychedelia as white in the press, his work entered the R Billboard charts (Baugess 292). He died on September 18, 1970 of drug complications.