Human Resource Planning Essay Example | Topics and Well Written Essays - 1000 words

Human Resource Planning - Essay Example Human resource planning (HRP) is an "information decision making process designed to ensure that enough competent people with appropriate skills are available to perform jobs where and when they will be needed" (Kohl). It is a vital function that includes and supports the corporate strategy, and then deploys the necessary human capital where it is called for in the organization by the strategy. HRP includes the activities like Recruiting, performance appraisal, training and development. Recruiting can be done in planned in two ways- outsourcing or internal recruitment. Internal recruitment can be taken through direct placements from outside or through performance appraisal of exiting staff. Performance appraisals stresses on the skills that will be required for employees to move into higher level positions via promotion, where as training and development efforts need to be designed to provide these skills. 'However HRP during the 1960s and 1970s was about getting the right people at the right time. But in 1980s and 1990s HRP was about managing downsizing and redundancy. But at the beginning of the 21st century HRP appears to be more and more orientated towards dealing with the skill shortages faced by large organizations.' (James) Corporate strategic plans can only be achieved when the organization is staffed with the right kind and number human resources at the right time to offer the necessary skills, knowledge, abilities according to the planned task. Successful planning and handling of Human resource needs can become a competitive advantage or disadvantage to the organization. Having excessive or too few employees create problems for organizations. In general organizations don't tend to keep human resources on bench for three reasons. Human resources are costly; Productive work cannot be performed with unplanned resources; finally non utilization of productive resources results in poor economy, (who other wise would have been engaged in more productive work). On the other side, shortage of Human resource is also not a desirable Practice. For example, a supermarket store during the promotional scheme day requires more sales people than the other days. But when the necessity is wrongly estimated or neglected, it may also result in loss of employee efficiency due to heavy customer service demand. Customers that are waiting in long lines may turn away from the store taking their business elsewhere. Such problems can be reduced or eliminated through effective human resource planning. Also during the cases of divestment practice of unprofitable factories, HRP provides the exact guidelines on whether to divert the staff to the existin g factory or to retrench them completely. Against: As Rothwell (1995) suggests, 'Apart from isolated examples, there has been little research evidence of increased use or of its success. Being inadequate and not matching with other planning systems and lack of structured supporting system results in the failure of human resource planning efforts. There are different perceptions on the purpose of HRP; others have noted: Some perceive it as manpower planning primarily in terms of budgeting to control labor costs; and to other it is a management development technique; and for some other organizations it is a process of HR back ups and replacements for current employees; and also it is perceived as human resources informational system

A Hobbesian and Heroic Unreflective Citizenship Essays -- Hobbes Plato

A Hobbesian and Heroic Unreflective Citizenship In Meno, Plato asks â€Å"what virtue itself is† (Plato 60). This dialogue on virtue between Socrates and Meno ably frames a wider dialogue on ethics between Thomas Hobbes, the Greek heroic tradition, and the sophists of 5th century Athens. Hobbes’ Leviathan and Aristophanes’ The Clouds introduce three classes of ethical actors to respond to Plato’s inquiry: Hobbes’ ethical lemmings, the heroic ethical traditionalists, and the sophist ethical opportunists. The Meno also helps capture the essence of contemporary discussion of the morality of desire and emotivism, as articulated by Roberto Mangabeira Unger in Knowledge and Politics and Alasdair MacIntyre in After Virtue. Finally, I will examine—and then problematize— the Hobbesian and heroic responses to ethical subjectivism. SOCRATES: Meno, by the gods, what do you yourself say that virtue is? MENO: †¦There is virtue for every action and every age, for every task of ours and every one of us. (Meno 60-61) Meno helps Plato articulate the implications of subjectivism and the arbitrary designation of value. Roberto Mangabeira Unger’s discussion of the â€Å"morality of desire† (Unger 49) and Alasdair MacIntyre’s description of emotivism formalize the ethical importance of Meno’s inability to disaggregate the self from a definition of virtue. According to Unger, â€Å"[t]he morality of desire defines the good as the satisfaction of desire, the reaching of the goals to which our appetites and aversions incline us. The task of ethics on this view is to teach us how to organize life so that we shall approach contentment† (49). In a similar vein, MacIntyre describes emotivism in After Virtue: â€Å"Emotivism is the doctrine that all evaluative judgme... ...valuation, but can ensure the engagement of informed citizens and offer the choice and contrast between competing paradigms. Plato’s wisdom does not reside in his provision of definitions, but his understanding of the intrinsic good of an autonomous process of thinking, searching, and questioning—all of which absolute standards ignore. Works Cited Aristophanes. The Clouds. Trans. and foreword by William Arrowsmith. Forrest, W.G. The Emergence of Greek Democracy. Guthrie, W.C. A History of Greek Philosophy. Hobbes. Leviathan. Trans. Herbert W. Schneider. MacIntyre, Alasdair. After Virtue. 2nd Ed. University of Notre Dame Press: Notre Dame, Indiana, 1984. MacIntyre, Alasdair. A Short History of Ethics. Plato. Five Dialogues : Euthyphro, Apology, Crito, Meno, Phaedo. Trans G. M. A. Grube. Unger, Roberto Mangabeira. Knowledge and Politics.

Sappho’s vs. Petrarch on the Body

Physical interaction is possibly the most intuitive emotion we have as a species. Sex and body image are absurdly prominent in todays culture, and have been since the beginning of written history. Sexuality is only a surface desire though. What lies beneath the surface is where a person's true beauty rests. The poets Sappho and Petrarch are two very early writers that often focused on the human body, sexuality, and desire but in different ways. Sapphds body of work is a reaction and praise to the exterior beauty of many individuals.Petrarch's sonnets are a repeated effort to unearth the root of divine beauty. Sapphds poems were more direct and in a relatable way. The way the Greek poet discussed was with words of physical feelings and reactions to emotions. She compared an individual named Anactoria that she desired to the famoud Helen of Troy, whose beauty has been expressed throughout literature for a long, long time. â€Å"†¦ although far away, / whose long-desired footstep, whose radiant, sparkling face / I would rather see before me than the chariots / of Lydia or the armour of men / who fght wars on foot† (Sappho 21).In this passage the Greek poet is longing for Anactoria, whom she once knew. In reminiscing about her Sappho recalls the way she walked, how her skin reacted to the light, and how she feels peaceful when she is around. Sappho is suggesting that one's beauty is partly contained in their body but also partly related to how that body is used. The essence that the woman in her poem 21 exhibits is her true beauty. In one of her poems her feelings for a recently married friend read, â€Å"†¦ and sweat pours down me and a trembling creeps over my whole body†¦ † (Sappho 20).In most of, but especially this poem in particular, Sappho s expressing her bestial, sexual urges. She is not always so lascivious. Often, the poet writes about more tragic subjects. In her poem 33 she describes her â€Å"tender heart† as  "heavy with grief†(Sappho 33). Sappho is suggesting that the absence of one of her ex-lovers is physically weighing her down. She is playing with that feeling of tension in the chest that people tend to have in matters of deep-seated emotions. It is common to read Sappho and notice emphasis on the body in her descriptions of both grief and bliss.Later in her life, Sappho uses the same analogy of her heart to escribe herself as an old woman, â€Å"My heart's grown heavy, my knees will not support me, that once on a time were fleet for the dance as fawns. † It seems that her heart never grew lighter from her younger years, or even grew into a more intense pain. Having access to so many of her works allows scholars to observe a development in the character Sappho. Her subject matter turns from delight in others, slowly to dismay in their absence.What does not seem to change much is her approach of the subject matter. She still materializes her emotions in the form of the p hysical body in her later poems. Petrarch deals with his bodily desires in a different manner. His most famous series of poems are more or less descriptions of a woman Petrarch had much love for and now sne made him teel. This collection is known as the ‘Canzoniere'. Petrarch's sonnets focus more on the emotional side of his desires, while still using his body as a reference for the reader.In a selection from one of his sonnets, Petrarch writes, â€Å"Love found me all disarmed and found the way / was clear to reach my heart down through the eyes / which have become the halls and doors of tears† (Petrarch 3, 9-11). Once again, the heart is used as a catalyst to connect with the reader by communicating the desire the speaker has for this woman's form. Her beauty is so amazing that Petrarch is subdued and begins to cry. Her image shocks him to the point his body too is affected by it.In another passage, â€Å"The way she walked was not the way of mortals but of angelic f orms, and when she spoke more than an earthly voice was that it sang† (Petrarch 90, 9-11). Petrarch puts the woman into a sacred light, comparing her to an immortal. Petrarch's generous praise of this woman, hough unrealistic, is an attempt to explain to the reader the divinity of his beloved Laura's unparalleled beauty. This woman is supposedly the epitome of beauty, or so Petrarch thinks, but what the numerous sonnets written about her are attempt to reveal is that beneath the beauty is only more beauty.Beauty on a level that cannot simply be written into words. Petrarch is suggesting that contrary to the popular belief at the time, a woman or any person's value does not lie in their physical beauty but the beauty of their essence and the purity of their soul. He was truly and deeply n love with this Laura woman and has made history in doing so. â€Å"Under the lovely peace of her tranquil brows / those two faithful stars of mine so sparkle, / that no other light can inflam e and guide / him who consigns himself to love nobly' (Petrarch 160 5-8).In this verse, Petrarch begins to talk about the peace he sees in Laura's eyes, but then refers to those eyes as his own. Is he claiming ownership, or is he suggesting he sees himself? It seems that he is trying to say that following the look of calm he sees in her eyes, and reciprocating that patience, he will eventually be led to a form of pure love. Both writers were making an attempt to get directly to the purest form of their personal infatuations in terms of describing their beauty on paper.Petrarch by poeticizing and connecting with Laura's spiritual and emotional purity while striving to avoid the hang-ups of physical distraction, and Sappho by referring to both her sexual and emotional urges towards her lovers, describing them from the obvious exterior, down to the movement of hips whilst walking. The difference is that what Sappho writes is a result of her pure emotions for these other women, while Pe trarch is striving to get to the roots of the emotion. He is trying to describe the divine spirit and essence of this lovely woman.Some would say this is disturbing behavior, while others see it as an eloquently written offering. He reaches to the core, where human desire draws from. He took what Sappho wrote to the next level. She was writing about how she felt in response to the core of feeling Petrarch tried to uncover. Her words often described her weariness and pain as a means to relate to her readers so they too could share in her agony. Other times what she would say connected to anther emotion most people are aware of. Passages describing sexual onvulsions could be related to be readers who have felt the same.These two early writers either ends of the same problem. Petrarch, trying to find the source of human passion and Sappho describing how that same source of passion excited her, or got the best of her. Either way, these prominent historical fgures were using the body as a way to relate teeling and emotion to the reader. Petrarch, Francesco, and Mark Musa.

Essay 1 Chapter 1 - 808 Words

It was in the midst of one of the towns’ most vibrant dance ceremony that my associate, Mr Olak, paused and began to approach me with utmost inscrutable countenance. He stared at me for a moment, hesitating; and when he moved his lips to tell me about that one thing the people of this town feared that most, the one thing the people of this town were defenceless against, I began to panic. Before I could reassure anyone, the people amongst the ceremony had already begun to spread the news; they knew even if they tried there will still be a tragedy here tonight. We were the prey; it was the predator. Above us the clouds had already begun to gather, preparing for the war and the moon had chosen to shy away; too afraid to watch the horrors†¦show more content†¦Then Mr Olak headed upstairs to sleep while I cleaned up. The flame of the fire was dying out and I had assumed we had no electricity because of the destruction all over town, so I hurried over and restarted the fir e. I watched it as the colours came to life and danced with movement of the breath. 11:45 now, time to sleep away the pain. As I got up to head upstairs, I saw something queer and ominous... At first I thought they were people looking for shelter, but how could they walk over such a massive flood? I peered through the window, and noticed outside floated hundreds and hundreds of dark figures. They had no legs, no face, and no arms. They wore black robes and had mouths all over the robes as if they were forever hungry. They were feeding, feeding on the blood and souls of the dead and the living. I watched as each mouth opened, revealing razor sharp teeth already filled with red, they were unusually large and petrifying. The teeth dug through the flesh of a living body and the person screamed and yelled, but the sound of the water and wind covered the crime. It was like death had come down not to take people away from this horrific earth but to haunt and torture them. One of the phantoms seemed to be observing me from the outside, I couldn’t tell sinceShow MoreRelatedEssay 1 Chapter 1733 Words   |  3 Pagesâ€Å"The vest protected you from the brunt of the stun attacks, but I wish Dr. Torance were here to give you a full medical scan, plus a nanite injection for your h ead wounds and the effects of the cuffs.† She ripped open a packet of NewSkin gloves, tossed them at Mark. â€Å"Put these on while I get a GelPack for your face.† Her hands felt light as falling snow as she applied surgical glue to his lip and salves to his face. Eva’s hands lingered on his shoulder, her eyes showed genuine concern. â€Å"Sure youRead MoreEssay 1 Chapter 11164 Words   |  5 PagesFelicia showed up right after Jensen left the next day. She had a small wagon hitched up to her horse. Jared had picked out a downstairs bedroom that was fitting for her station. 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